Puppets are actually a pretty medieval art form–and not just for kids. These puppets do and say things that would have been politically risky for the humans controlling them to say, and also they are real works of art. Join us as we look puppetry traditions of Japan, Indonesia, Vietnam, Turkey, and Egypt. With some digressions about the fun of buying random pastries at Chinese bakeries, and also Shakespeare.
Annotations, Notes, Corrections
1/ Em: I have made vegan mooncakes (mooncakes, or 月餅 / yue bing, are the pastry with egg yolks inside–typically salted duck eggs, I think–there might be other pastries like this too). My Taiwanese friends were, hmm, gracious. Also, I have made my own red bean paste, and it is basically all sugar (well, a lot of recipes have a 1:1 ratio of adzuki beans to sugar; some note that if you’re using the bean paste in pastry, as opposed to serving it on its own, you should use more).
Also, the mushrooms I got hung up on: cat ear mushroom/nam meo is actually, I think, the Vietnamese name for it. The Chinese name is black wood ear/黑木耳, so the word “mushroom” was actually not on the menu, hence my confusion. BUT also it turns out that in the Middle Ages (at least, according to Wikipedia), they were called Jew’s Ear mushrooms! And in fact the Latin name is Auricuularia auricula-judae. Why? The mushrooms themselves are vaguely ear-shaped, and tradition holds that Judas Iscariot hanged himself on an elder tree, which is where the mushrooms grow (in some places).
Jesse: Food is amazing!!! We should have a food episode!!
2/ Cesar: Gaul is full of barbarians.
France, 1500 years later: We are the resurgence of classical civilization, of which Greece and Rome were the primary lights.
Cesar: My, how the turntables have… turned.
3/ Concerning Titus Andronicus: the villain, Aaron the Moor, has the best evil monologue in all of Shakespeare. You can read it here. That is the only thing I really have to say about that play, which in other respects is…really bloody.
Jesse: 3 Henry VI, I.iv–Queen Margaret has (Richard Duke of) York stand on a molehill (which parallels the hill at Calvary) and crowns him with a paper crown (which parallels Jesus’s crown of thorns). Margaret also gives York a handkerchief to dry his tears, and the handkerchief is stained in the blood of his son (Edmund Earl of) Rutland. In this moment, Rutland is symbolic of the Christ child, while his blood on the handkerchief is reminiscent of the collecting of Christ’s blood in the chalice (aka the holy grail) at the crucifixion. We get some good father/son symbolism as well, before York is stabbed to death by Margaret and Clifford. Shakespeare is clearly using the symbolism from Passion plays to great advantage.
Margaret also gets some truly extraordinary lines (it IS Shakespeare): “Brave warriors, Clifford and Northumberland,/ Come, make him stand upon this molehill here,/ That raught at mountains with outstretched arms,/ Yet parted but the shadow with his hand.” (I love this line so much.)
Also of interest, the 1592 pamphlet written by playwright Robert Green (probably, and published by Henry Chettle), titled Greenes, Groats-worth of Witte, bought with a million of Repentance, includes the famous lines “there is an upstart crow, beautified with our feathers, that, with his Tygers heart wrapt in a Players hide, supposes he is as well able to bombast out a blanke verse as the best of you; and being an absolute Johannes Factotum, is in his owne conceit the onely Shake-scene in a countrie.” The quote refers to a jack-of-all-trades (Johannes Factotum) who thinks a lot of himself as a an actor (player) even though his ability is really due to the playwrights who write his lines (beautified with our–playwrights’–feathers), and now he thinks he can do anything (Johannes Factotum) including write his own plays as well as the “real” playwrights (bombast out a blanke verse as the best of you)!!! The line “Tygers heart wrapt in a Players hide” comes from this scene in 3 Henry VI, where York memorably calls Margaret “O tiger’s heart wrapt in a woman’s hide!” The pun on “Shake-scene” and “Shake-spear” is presumably to identify Shakespeare to any reader who didn’t see or hear about the line in 3 Henry VI (and, of course, to make fun of him again). Anyhow, this pamphlet is the earliest extant external reference to Shakespeare that we’ve got, and it’s one of the ways we know he started out as an actor before he started writing plays. It’s also how we know he’d already written the Henry VI plays by/in 1592. Interestingly, Greene died before the pamphlet was published, and his publisher later seems to have apologized to Shakespeare “The other, whom at that time I did not so much spare as since I wish I had, for that, as I have moderated the heat of living writers and might have used my own discretion (especially in such a case, the author being dead), that I did not I am as sorry as if the original fault had been my fault, because myself have seen his demeanor no less civil than he excellent in the quality he professes. Besides, divers of worship have reported his uprightness of dealing, which argues his honesty, and his facetious grace in writing that approves his art.” See the Groat’s-Worth of Wit section here and here.
3 Henry VI I.iv is a phenomenal scene, and I recommend it!
4/ Moll Cutpurse showed up in episode 6 (see note 20).
Here’s the full CBS 60 minutes video on Kabuki (you need to be a subscriber to watch it, I think–sorry!).
6/ [34:10] The Rogue One character I was thinking of was probably Chirrut Imwe, possibly because he fights with a jo (ish) and is played by Donnie Yen, who typically makes his living playing various badasses like Ip Man.
I don’t know if he was specifically the character Jesse was referring to, but there are certainly a lot of articles online about the connection between Star Wars and Kurosawa’s film The Hidden Fortress.
Here are the western Baroque theatres (we talk about these in a future episode):
Drottningholms Slottsteater (Sweden). And a video.
Cesky Krumlov Castle Baroque Theatre (scenery changes at 3:17).
8/ Ibn Daniyal came up back in episode 1 (see note 16). I feel like he maybe came up somewhere else too, but if he did he wasn’t footnoted. Maybe I just think he came up more because he was one of the names that came up when Jesse and I started discussing making the podcast. (This site gives his birth as 1238 not 1248–needless to say, there’s some uncertainty here.)
Jesse: Apparently the translation of the plays is out of print, but I’m sure the library (or ILL) will have it!
9/ Wayang: The Wikipedia site is quite good and includes a lot of great history and images.
Wayang kulit videos: UNESCO Heritage video.
Complete performance from visiting artist-scholar Madé Sidia at the University of Richmond.
Wayang Kulit Star Wars.
Wayang Golek (rod puppets).
[50:48] Jesse: Ooops, another moment of messy sound on my end. Sorry all!
11/ Múa rối nước: Water puppets. Not a ton of places on the web have background info, but a guy named Derek Gaboriault wrote his senior honors thesis at Western Kentucky University on them back in 2009. Check out p. 20 and on. Also, apologies for my accent, which is…confused.
Here’s a shorter video with some fun puppets in it.
Fun fact: rice is grown in flooded paddies because the water prevents the weeds from growing, but the rice plants do fine. The technique dates from the neolithic era.
The lake in Hanoi is Hoan Kiem Lake, aka the Lake of the Returned Sword.
14/ Bardcore is a genre where musicians reset modern pop songs for period (or period-esque) instruments, and occasionally rewriting the songs in Old or Middle English or Latin. Check out some examples (and just Google Bardcore!):